The Song of Songs [Blu-ray]
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ジャンル | Drama |
フォーマット | 字幕付き |
コントリビュータ | Alison Skipworth, Lionel Atwill, Rouben Mamoulian, Brian Aherne, Helen Freeman, Marlene Dietrich, Hardie Albright 表示を増やす |
言語 | 英語 |
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登録情報
- 言語 : 英語
- 製品サイズ : 1.78 x 19.05 x 13.72 cm; 45 g
- EAN : 0738329244019
- 製造元リファレンス : unknown
- 監督 : Rouben Mamoulian
- メディア形式 : 字幕付き
- 発売日 : 2020/3/31
- 出演 : Marlene Dietrich, Brian Aherne, Lionel Atwill, Alison Skipworth, Hardie Albright
- 販売元 : Kl Studio Classics
- 生産者 : Rouben Mamoulian
- ASIN : B083JW1JCN
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 305,495位DVD (DVDの売れ筋ランキングを見る)
- カスタマーレビュー:
他の国からのトップレビュー

Range Girl
5つ星のうち5.0
Sensual young Dietrich & Aherne
2012年2月16日にアメリカ合衆国でレビュー済みAmazonで購入
No tech complaints, good black/white copy, acceptable sound. Classic love story, well photographed, wonderful acting, great character actors and costuming. There are moments when Brian Aherne reminds me of a Brit version of Gary Cooper, the stature, the demeanor. A couple of the love scenes between Dietrich & Aherne are surprisingly sensual, well directed and photographed for a movie that was probably not a huge production. Those scenes especially, make this a must see, must add, for those interested in Marlene Dietrich and/or Brian Aherne.

Michael
5つ星のうち5.0
Gorgeous Dietrich
2015年4月8日に英国でレビュー済みAmazonで購入
One of my favourite Dietrich movies, she is at her most beautiful throughout...

Gretchen9449
5つ星のうち5.0
Song of Songs - Marlene Dietrich - Lionel Atwill - Brilliant movie!
2013年10月2日にアメリカ合衆国でレビュー済みAmazonで購入
Marlene Dietrich fans and fans of the Golden Age of Hollywood will LOVE this movie. I certainly did.
First time I had seen Dietrich in a movie. Robert Mamoulian directed her beautifully in this tale of sheltered country girl coming to work in town at Aunty's (Alison Skipworth) bookstore and meeting young, handsome sculptor from across the road.
First time I had seen Dietrich in a movie. Robert Mamoulian directed her beautifully in this tale of sheltered country girl coming to work in town at Aunty's (Alison Skipworth) bookstore and meeting young, handsome sculptor from across the road.

Stephen Schicker
5つ星のうち5.0
A nice look at Marlene though not as sexy as her later films in France with Jean Gabin
2019年4月26日にアメリカ合衆国でレビュー済みAmazonで購入
for my own viewing

KaleHawkwood
5つ星のうち4.0
The art of love
2018年6月14日に英国でレビュー済みAmazonで購入
Taking a reluctant break from her Svengali mentor, lover and favourite director Josef von Sternberg, the sublime Marlene starred in this rather stiff, tonally uncertain drama in which she plays a variant of previous roles ~ the sweet innocent who, due to circumstances, becomes far from innocent.
In this 1933 film directed by Rouben Mamoulian, she is an orphaned country girl Lily, who goes to the big city, Berlin, to live with her vulgar, abusive aunt.
Across the road lives a young sculptor Richard, played by the rather colourless British actor Brian Aherne. He starts well, but seems to lose interest in the story before one's very eyes, playing the final (admittedly absurd) scene very badly indeed. Another Brit, the stiffly unyielding Lionel Atwill, is the lecherous, monacled Baron, to whom Lily succumbs when, after sculpting her nude and having an idyllic affair with her, Richard drops her.
Marlene, as she invariably did without any fuss in her first few American movies, acts everyone else off the screen, while apparently doing very little. Her sheer naturalness in her thirties films is not often enough stressed; she had been a good learner ~ and had by then already done quite a lot of both theatre and film ~ and understood what the camera needed to see, so she acted with just enough inner conviction (even in relative tosh such as this) as well as a unique, amused passivity and an erotic glow not even Garbo could match.
Here, she manages both to glow with an inner spiritual flame the role demands, as well as a maddening sensual flame she barely shows in her ingenuous eyes and abandoned body language. Oh, but Marlene really was a consummate actress and an unsurpassed tease.
Despite my criticisms, this is worth seeing, if only for the once-in-a-lifetime phenomenon that was Dietrich. There is a dogged, staid quality to this film ~ odd considering the ostensibly daring subject matter ~ but whenever Marlene is on screen, which is most of the time, nobody looks away.
In this 1933 film directed by Rouben Mamoulian, she is an orphaned country girl Lily, who goes to the big city, Berlin, to live with her vulgar, abusive aunt.
Across the road lives a young sculptor Richard, played by the rather colourless British actor Brian Aherne. He starts well, but seems to lose interest in the story before one's very eyes, playing the final (admittedly absurd) scene very badly indeed. Another Brit, the stiffly unyielding Lionel Atwill, is the lecherous, monacled Baron, to whom Lily succumbs when, after sculpting her nude and having an idyllic affair with her, Richard drops her.
Marlene, as she invariably did without any fuss in her first few American movies, acts everyone else off the screen, while apparently doing very little. Her sheer naturalness in her thirties films is not often enough stressed; she had been a good learner ~ and had by then already done quite a lot of both theatre and film ~ and understood what the camera needed to see, so she acted with just enough inner conviction (even in relative tosh such as this) as well as a unique, amused passivity and an erotic glow not even Garbo could match.
Here, she manages both to glow with an inner spiritual flame the role demands, as well as a maddening sensual flame she barely shows in her ingenuous eyes and abandoned body language. Oh, but Marlene really was a consummate actress and an unsurpassed tease.
Despite my criticisms, this is worth seeing, if only for the once-in-a-lifetime phenomenon that was Dietrich. There is a dogged, staid quality to this film ~ odd considering the ostensibly daring subject matter ~ but whenever Marlene is on screen, which is most of the time, nobody looks away.