The Flame of New Orleans [Blu-ray]
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ジャンル | Comedy |
フォーマット | 字幕付き |
コントリビュータ | Tony Paton, Bob Evans, Charlotte Treadway, Laura Hope Crews, Gloria Brewster, Andy Devine, Frank Jenks, Shemp Howard, Joe Devlin, Jenifer Gray, Virginia Engels, Franklin Pangborn, Barbara Brewster, Clarence Muse, Roy Harris, Theresa Harris, Marlene Dietrich, Joe Pasternak, Roland Young, Gitta Alpar, Bruce Cabot, Frank Sully, Jess Lee Brooks, Mary Treen, Anne Revere, Jack Raymond, Lois Lindsay, Anthony Marlowe, Billy Mitchell, James Guilfoyle, Melville Cooper, Dorothy Adams, Rene Clair, Virginia Sale, Rex Evans, Herbert Rawlinson, Mischa Auer, Emily Fitzroy, Eddie Quillan, Gus Schilling, Reed Hadley, Frank Moran, Lowell Drew, René Clair 表示を増やす |
言語 | 英語 |
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登録情報
- 言語 : 英語
- 製品サイズ : 1.78 x 19.05 x 13.72 cm; 68 g
- EAN : 0738329243999
- 製造元リファレンス : unknown
- 監督 : Rene Clair, René Clair
- メディア形式 : 字幕付き
- 発売日 : 2020/3/31
- 出演 : Marlene Dietrich, Bruce Cabot, Roland Young, Mischa Auer, Andy Devine
- 販売元 : Kl Studio Classics
- 生産者 : Joe Pasternak
- ASIN : B083JVZVT2
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 322,102位DVD (DVDの売れ筋ランキングを見る)
- カスタマーレビュー:
他の国からのトップレビュー

Britt Le Bonzo
5つ星のうち5.0
Delightful Film - Gorgeous Print
2023年10月28日にアメリカ合衆国でレビュー済みAmazonで購入
It's a pleasure to watch this. The Blu-ray quality is crystal clear. Marlene has never looked more glamorous and her gowns - especially the white opera house dress and her wedding gown are as magnificent as anything Adrian designed for Garbo. Dietrich is fun to observe in this femme fatale role. The supporting cast, photography and sets are all high quality. A light hearted romp.

Addison de Witt
5つ星のうち5.0
Delicious Dietrich comedy
2010年10月5日に英国でレビュー済みAmazonで購入
Joe Pasternak, the canny producer who steered Deanna Durbin to superstardom in 1937 with "Three Smart Girls" and a subsequent string of expertly tailored vehicles, was responsible for revivifying Marlene Dietrich's career (which had been languishing in the doldrums)with the mega-hit comedy-western "Destry Rides Again" in 1939.He followed this up in 1940 With another smash, "Seven Sinners" with John Wayne, and then "Flame of New Orleans" in 1941.He obtained the services of the famous French director Rene Clair, director of the classic comedies "Le Million", "Un Chapeau de paille d'Italie" and "A Nous la Liberte" and a refugee at the time from the war in France, as well as the writing talents of Norman Krasna.
The story, set in New Orleans in 1841, concerns an adventuress out to ensnare a rich banker (Roland Young) and obliged (by some incautious behaviour) to invent an illegitimate cousin,who she is then later forced to impersonate in order to avoid her colourful past being revealed. The ensuing complications bring her into contact with a rough sea captain (Bruce Cabot), and one does not have to be a genius to guess that romance eventually triumphs over money. The main role is ideal for Dietrich, deliciously demure as the supposed Countess, and alluringly wanton masquerading as the naughty cousin. There are two particularly delightful comedy scenes: one where Dietrich sits at the piano demurely singing "Sweet is the Blush of May" to her fiance's strait-laced relatives and friends, and becoming increasingly desperate as she senses a rumour spreading round the room, initiated by an erstwhile St Petersburg acquaintance (Mischa Auer)of her reputation in that city: and another where on the eve of her marriage she is instructed in the facts of married life by the banker's aunt (Laura Hope Crews). Clair's deliciously light touch in such scenes makes the film a joy to behold. The small parts are meticulously cast and expertly played: Mischa Auer and Franklin Pangborn make an inspired double act as men-about-town, and Melville Cooper and Anne Revere as the banker's relatives are splendid.
The main reservations one has concern the casting of the two male leads: Bruce Cabot is a strictly B-league leading man, and not in Dietrich's class. She would have been much better served by John Wayne, who would have been ideal for the part, and with whom she did make a couple of films for Universal later on ("The Spoilers" and "Pittsburgh").Roland Young also is not ideally cast as the banker, a rather ineffectual figure, and Adolphe Menjou would have been a great improvement. However,they do not fatally detract from one's overall enjoyment of a delightfully witty and amusing comedy.
The story, set in New Orleans in 1841, concerns an adventuress out to ensnare a rich banker (Roland Young) and obliged (by some incautious behaviour) to invent an illegitimate cousin,who she is then later forced to impersonate in order to avoid her colourful past being revealed. The ensuing complications bring her into contact with a rough sea captain (Bruce Cabot), and one does not have to be a genius to guess that romance eventually triumphs over money. The main role is ideal for Dietrich, deliciously demure as the supposed Countess, and alluringly wanton masquerading as the naughty cousin. There are two particularly delightful comedy scenes: one where Dietrich sits at the piano demurely singing "Sweet is the Blush of May" to her fiance's strait-laced relatives and friends, and becoming increasingly desperate as she senses a rumour spreading round the room, initiated by an erstwhile St Petersburg acquaintance (Mischa Auer)of her reputation in that city: and another where on the eve of her marriage she is instructed in the facts of married life by the banker's aunt (Laura Hope Crews). Clair's deliciously light touch in such scenes makes the film a joy to behold. The small parts are meticulously cast and expertly played: Mischa Auer and Franklin Pangborn make an inspired double act as men-about-town, and Melville Cooper and Anne Revere as the banker's relatives are splendid.
The main reservations one has concern the casting of the two male leads: Bruce Cabot is a strictly B-league leading man, and not in Dietrich's class. She would have been much better served by John Wayne, who would have been ideal for the part, and with whom she did make a couple of films for Universal later on ("The Spoilers" and "Pittsburgh").Roland Young also is not ideally cast as the banker, a rather ineffectual figure, and Adolphe Menjou would have been a great improvement. However,they do not fatally detract from one's overall enjoyment of a delightfully witty and amusing comedy.

Mimiof12
5つ星のうち4.0
Flame of New Orleans
2013年3月20日にアメリカ合衆国でレビュー済みAmazonで購入
Wonderful Marlene, has never disappointed me, didn't care for the male lead. Who in the movie biz can even hold a candle to these actors, now?

Alex da Silva
5つ星のうち3.0
Cousins that look the same????
2014年5月24日に英国でレビュー済みAmazonで購入
Marlene D plays a dual role. As the Countess, she dresses like an ostrich and is a trickster who gets her way by fainting so she can bag a wealthy suitor. In her other role, she looks exactly the same yet seems to fool the rest of the cast. There you go, it can’t be a good film. A Dietrich vehicle that has some amusing scenes at the beginning with potential suitor Bruce Cabot (Catour) resembling a Clark Gable type.
As always, Dietrich just glows star quality. Roland Young (Giraud) plays his part well as a wealthy, interested party and I also thought Anne Revere (Giraud’s sister) and Melville Cooper (Giraud’s brother-in-law) put in amusing, convincing performances.
As for the other characters, unfortunately, we get comedy sailors that include Andy “clear your throat” Devine (1st Sailor). Not funny. The better comedy comes from a surprising source – Mischa Auer (Zolotov). For a change, Mischa Auer doesn’t miss the mark – he’s funny in his role (the only time I can remember him successfully doing this) and Franklin Pangborn (Bellows) as Auer’s European companion has that kind of face that screams comedy. He reminds me of one of my Portuguese cousins – she looks just like him.
It’s a fluffy film that is completely unbelievable but entertains while it is going. I wouldn’t recommend it, but it’s ok - nothing too gripping going on.
As always, Dietrich just glows star quality. Roland Young (Giraud) plays his part well as a wealthy, interested party and I also thought Anne Revere (Giraud’s sister) and Melville Cooper (Giraud’s brother-in-law) put in amusing, convincing performances.
As for the other characters, unfortunately, we get comedy sailors that include Andy “clear your throat” Devine (1st Sailor). Not funny. The better comedy comes from a surprising source – Mischa Auer (Zolotov). For a change, Mischa Auer doesn’t miss the mark – he’s funny in his role (the only time I can remember him successfully doing this) and Franklin Pangborn (Bellows) as Auer’s European companion has that kind of face that screams comedy. He reminds me of one of my Portuguese cousins – she looks just like him.
It’s a fluffy film that is completely unbelievable but entertains while it is going. I wouldn’t recommend it, but it’s ok - nothing too gripping going on.

Chuck Snow
5つ星のうち5.0
DIETRICH WITHOUT VON STERNBERG
2020年12月18日にアメリカ合衆国でレビュー済みAmazonで購入
“The Flame Of New Orleans” was not among Dietrich’s favorites, nor among a lot of other folks. However, she seems to be having as much fun in this romp as she did in “Destry.” For a film of the era (1940s) the film skips along at a good clip. In it she plays an adventuress fleecing silly old rich men. A hilarious Roland Young is the “victim” here. Fortunately for him, she falls in love with a rake and this is the fly-in-the-ointment: Bruce Cabot ain’t no Gable - all bluster and no charm. So there’s no chemistry between the leads, she seems too much of a smart cookie to fall for such a cretin, but if you want an old fashioned good time grab this one. Though no Lubitsch, Rene Clair gives the whole project a sophisticated Euro touch.
The blu-ray transfer is great. No Extras.
The blu-ray transfer is great. No Extras.