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Aureliano in Palmira [Blu-ray]

形式: Blu-ray
4.5 5つ星のうち4.5 30個の評価
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商品の説明

Aureliano in Palmira celebrated it's fi rst première on 26 December 1813 at the Scala In Milan. Soon afterwards the work was played in different theatres all over Europe. Nevertheless Rossini's piece fell into oblivion more and more compared to the great competitors like "Tancredi" or the "Barber of Seville" for which Rossini recycled musical parts of "Aureliano".But since a few years there are ambitions to play this work about love, war, jealousy, loyalty and magnanimity more frequently. The direction in Pesaro was in the proven hands of the famous fi lm director Mario Martone. Conductor Will Crutchfi eld contributes to the successful performance of the newly edited "Aureliano in Palmira" and masterfully directs the Orchestra Sinfonica G. Rossini. Michael Spyres as Aureliano "showed immediately that his tenor voice with marvelous top notes has not only fl exibility and agility, but also enough body, to provide the Roman emperor great vocal authority." Opernglas

登録情報

  • アスペクト比 ‏ : ‎ 1.78:1
  • 言語 ‏ : ‎ イタリア語
  • 製品サイズ ‏ : ‎ 1.78 x 19.05 x 13.72 cm; 167.83 g
  • EAN ‏ : ‎ 0807280907490
  • メディア形式 ‏ : ‎ Blu-ray, クラシック
  • 発売日 ‏ : ‎ 2015/6/29
  • 出演 ‏ : ‎ Rossini Orch, Crutchfield
  • 字幕: ‏ : ‎ 英語, 日本語, フランス語, 韓国語, ドイツ語, イタリア語
  • 言語 ‏ : ‎ イタリア語 (PCM Stereo)
  • 販売元 ‏ : ‎ Arthaus
  • ASIN ‏ : ‎ B00Y3MP1L4
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.5 5つ星のうち4.5 30個の評価

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上位レビュー、対象国： 日本

美楽友人
5つ星のうち5.0 「愛」をテーマにしたロッシーニの歴史歌劇
2023年1月2日に日本でレビュー済み
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上演機会の少ない全３時間以上に及ぶ長編歴史歌劇であるが、なかなか見応え聴き応えがあり「セビリアの理髪師」に使われた旋律が登場する等の親しみもあって、１度見ただけで好きになりました。
戦いに明け暮れる中で、全曲の中程本物の羊数頭と牧人が登場し牧歌的でのどかそれでいてどこか哀愁を帯びたメロディが流れる場面は一服の清涼剤のようで、印象深く心に残りました。
主役の、スパイレス、プラット、ベルキナ共に役に合って健闘しており、時代を意識した衣裳共々安心して見られる映像に仕上がっていると感じました。
日本語字幕付のメイキングビデオも付いていて、初めてこのオペラを見るのに役立ち、ロッシーニに限らず、広くイタリアオペラの好きな方々にもお勧めしたい１枚です。
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すべてのレビューを日本語に翻訳
George
5つ星のうち4.0 Una riscoperta
2022年3月9日にイタリアでレビュー済み
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Ottima la registrazione (blueray) dal mitico Rof.
Ho preso questo titolo con un poco di titubanza in quanto avevo in Lp l'unica registrazione possibile negli anni '80 dall'opera che Giacosa, musicalmente molto fragile per direzione e compagnia di canto.
Qui al Rof, come spesso accade, hanno dato dignità e ragione di esistere a questo titolo decisamente desueto: allestimento semplice, buona la compagnia di canto con le "punte" di Spyres e Pratt e direzione non vivacissima ma di solido mestiere.
Titolo che consiglio ai grandi amanti di quel Genio che fu Rossini perché per quanto riesumata e datole la sua dignità, si tratta indubbiamente di opera interessante madi passaggio nel catalogo rossiniano e capolavoro certamente non è.
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Vinet
5つ星のうち3.0 Merci
2020年2月22日にフランスでレビュー済み
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Je salue la très belle initiative de l'éditeur cherchant à mettre à la disposition du public des opéras de Rossini fort peu donnés par les salles.
La mise en scène ici semble améliorable!
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Dr. John W. Rippon
5つ星のうち5.0 Jessica does it again....................!
2015年9月11日にアメリカ合衆国でレビュー済み
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I love Jessica Pratt. She is a statuesque, quietly regal woman with an incredible Bel Canto technique. She has scored great notices in six other Rossini operas as well as such diverse roles as Verdi's Giovanna d' Arco and Cunegonde in Candide.Her true forte so far has been early Rossini for which she has a true knack. She has had three Pesero Rossini Festival headliners so far; Amira in Ciro in Babilonia with wonderful Ewa Podles and great tenor Michael Spyres and conducted by Will Crutchfield. The last two in this recording also. Ms. Pratt is priceless in Adelaide di Borgogna with Daniela Barcellona. And now she is radiant in Aureliano in Palmira.
This opera is listed as no. 12 of about 40 known Rossini operas. He was 21 and this was going to open the 1813 season at La Scala. It is more of an old fashioned chamber opera of the Mozart type than the current vogue of Italian hard driving spellbinders with crashing cords and bodies everywhere. The retreat of the lover Prince Arsace to the peasant Idyll and wooded grove complete with goats on stage evokes some of the best music in the score. Rossini wrote the score for his mistress (later wife) Colbran (Zenobia) and the noted castrato, Velluti (Prince Arsace of Persia). Though it ran for 14 nights at La Scala it was not well received by the critics and was soon dropped and forgotten. A complete score does not exist. However the ever practical Rossini used sections of it in the later opera Barber of Seville where the overture and other sections are familiar to all.
The conductor Will Crutchfield has reassembled the score from various sources as no authentic draft exists. The opera is quite fine ,certainly in Act 1 and the first part of Act 2 but the end seems to meander a bit too much. I think some judicious pruning would help.
The cast in this recording is truly great. Besides Ms Pratt as Zenobia, Queen of Palmyra , the leading Rossinian Bari-tenor of the day, Michael Spyres does wonders as the ambivalent Roman leader Aureliano (3rd. century C.E. Emperor of Rome). He is a great foil for Ms. Pratt as he was as Baldassare in their recording of Ciro in Babilonia. Arsace, Prince of Persia and lover of Zenobia is mezzo Lena Belkina. She is a fine singer but as a mezzo she lacks the heft of a contralto (we don't have castrati anymore) and she is a petite person. So in some of the scenes with her beloved Queen Zenobia it looked more like mother and son (in drag) rather than noble lovers. But all in all it is an exceptionally beautiful performance.
The orchestra is top notch with conductor Will Crutchfield who also assembled the score. The production is effective, useful and it works.
Sadly the beautiful remains of historic Palmyra in Syria have recently fallen victim to destruction by religious fanatics of the Islamic Nation. Religion the destroyer!
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toni fortuny casas
5つ星のうち4.0 Bien por Rossini
2016年1月19日にスペインでレビュー済み
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Muy recomendable para los amantes de Rossini. Una ópera temprana con unas arias, duos y concertantes llenos de ritmo, melodias bellas y muy ornamentadas que los cantantes resuelven de manera espléndida.
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H. A. Weedon
5つ星のうち5.0 Outstanding! Brilliant! Very Watchable! The Best!
2016年1月7日に英国でレビュー済み
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Here we have an outstandingly brilliant performance of Rossini's Aureliano in Palmira, one of his earlier operas composed when he was in his early twenties. Both sound and picture quality are excellent on this Blu-Ray recording. Well sung and acted throughout, it is delightfully attention holding at every turn with sympathetic staging and period style costuming. The Rossini Opera Festival, Pesaro is to be congratulated for staging this rather less well known of Rossini's works in such inspiering fashion.

Although, as is pointed out at the close of the performance, the plot is not entirely true to historical fact, everything is made to turn out just as those of us who prefer 'fairy tale' endings would have wanted it to. The 'age of Verdi' with all its tragic endings had not yet dawned, this work having been composed around the time of his birth. Bel canto is also evident here with unabated glorious singing and music from beginning to end. The work is mercifully entirely devoid of the 'musical shout' which seems to have developed in operas during the Twentieth Century.

Everyone involved, including all the extras, give of their very best in this performance as if they are all overjoyed to be there working together in such a worthwhile piece of attention holding entertainment. This feeling includes the orchestra, stage hands and everyone involved. All told, this is a triumph for the director, Mario Martone, who believes that the link between stage and audience is important. Sergio Tramonti is to be congratulated on designing such realistic, yet unobtrusive staging, and Ursula Patzak gets it just right with her costume designs. Nothing is intrusive; it all fits in. Conductor Will Crutchfield and the orchestra are inspiring and the attractive overture sets the mode for the whole work.

Michael Spyres is excellent in the lead male role of Roman general Aureliano, as is Jessica Pratt in the lead female role of Queen Zenobia. He impresses with his realistic 'here's me and who's like me' Roman ruling class style and she is just like one would expect a brave and beautiful Queen to be like and their singing is inspiring. Lena Belkina is equally good in the trouser role of the prince Arsace, who is Zenobia's love interest. She has the right voice, right figure and right acting ability for this role. enabling the viewer to believe she really is a man. Raffaella Lupinacci in the role of Publia, also in love with Arsace, sings and acts her role to perfection, as do all the rest of the cast.

During Act 2 a rural idyll is depicted during which several real goats appear on the stage with their goat herd. It's always interesting when live animals appear in operas. I've now seen real live horses, ponies, donkeys, dogs, sheep, goats and pigs in various roles. I don't know of any composer who has yet managed to incorporate the noises they make into the singing. It would be difficult to get them to neigh, grunt, bark or squeal at the appropriate times. However, composers do quite often imitate animal sounds in their music.

Following on from his belief in the importance of the link between stage and audience, Director Mario Martone has an attractive, long haired lady playing the harpsichord on stage during the latter parts of the performance. On one occasion she is accompanied by a man playing a double base. I liked the harpsichord on stage, especially when it fitted in well with the part when Zenobia and Arsace were contemplating suicide rather than having to be separated. It was tellingly done and I liked it. I'm overjoyed about this performance and I would be very surprised if many other opera lovers are not equally pleased by it.
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