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300 Years of St. Petersburg : Gala Concerto [Blu-ray]

Michael Beyer (監督) 形式: Blu-ray
5つ星のうち4.7 38
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  • アスペクト比 ‏ : ‎ 1.77:1
  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 言語 ‏ : ‎ カステリア語
  • 製品サイズ ‏ : ‎ 1.2 x 17.1 x 13.5 cm; 113.4 g
  • EAN ‏ : ‎ 0880242534040
  • 商品モデル番号 ‏ : ‎ 8.80243E+11
  • 監督 ‏ : ‎ Michael Beyer
  • メディア形式 ‏ : ‎ クラシック, 字幕付き
  • 発売日 ‏ : ‎ 2010/5/10
  • 字幕: ‏ : ‎ フランス語, 英語, スペイン語, イタリア語, オランダ語
  • 販売元 ‏ : ‎ Medici Arts
  • 生産者 ‏ : ‎ Paul Smaczny
  • ASIN ‏ : ‎ B002JP9HJE
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    5つ星のうち4.7 38

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Chus
5つ星のうち5.0 Voz y Música
2023年4月30日にスペインでレビュー済み
Amazonで購入
Siendo las voces insuperables, el resto del concierto está al mismo nivel. Una sorpresa!
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J. C. Mareschal
5つ星のうち5.0 Talented artists give tribute to Russia's most cosmopolitan city.
2019年11月8日にカナダでレビュー済み
Amazonで購入
I very much liked this record of the gala concert by the St Petersburg symphony orchestra accompanied by some of the most exciting Russian artists to celebrate the 300 years of the city. The program included the work of Russian composers: Shostakovich, the hero of Leningrad, of course, Rachmaninoff, and Tchaikovsky, but it was designed to illustrate St Petersburg cosmopolitanism and its role as cultural gateway to Europe. The program included more works by French (Saint Saens, Ravel) and Italian (Respighi, Verdi, Puccini, Donizetti, Leoncavallo) composers than by Russian ones. I loved to watch Viktor Tetryakov play Saint Saens, especially Elisso Virsaladze interpreting Ravel’s left hand concerto. Mischa Maisky gives a very inspired interpretation of Bruch and Respighi. But I must confess that I bought this disc mostly to watch and listen to two exceptional vocalists: Anna Netrebko and the late Dmitri Hvorostovsky. I was not disappointed. A very young, very beautiful, and very talented Anna Netrebko sang to perfection arias from Donizetti and Puccini; Dmitri Hvorostovsky sang an aria from Tchaikovsky before being joined by Netrebko in a duet from Leoncavallo’s Pagliacci. What a wonderful duo those two made! They are a thrill to watch and to hear. It filled me with sadness that Hvorostovsky left this world much too early. Fortunately, we have a few precious records of such great talent.
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Karzats
5つ星のうち5.0 Wonderful!!
2016年2月3日にアメリカ合衆国でレビュー済み
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We are vinyl people but there are some digital performances we cannot live without - this is one of those performances. Netrebko, and Hvorostovsky are electrifying. Temirkanov is one of the very best - just watching his conducting is a joy. One feels a part of something very special!
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Marco Morselli
5つ星のうち5.0 Il vertice assoluto a livello internazionale fornito da madre Russia.
2014年9月6日にイタリアでレビュー済み
Amazonで購入
Il vertice assoluto a livello internazionale fornito da madre Russia. Degni di nota la disinvoltura interpretativa, il fraseggio, sia nel repertorio lirico che in quello concertistico.
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I. Giles
5つ星のうち5.0 A star-studdied gala that does not disappoint
2012年8月7日に英国でレビュー済み
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This is a nicely varied programme which celebrates the current musical achievements of St. Petersburg, with the exception of ballet, to a very high level indeed.

All of the featured artists are very well known in Russia. The only one that I was unfamiliar with was the violinist, Viktor Tretyakov who takes the second spot and delivers a rhythmically taut performance of the Saint Saens Introduction and Rondo Capriccioso. This is a strong performance and concentrates on verve and brilliance as opposed to Gallic charm. On those terms it succeeds admirably and sets the scene for Elisso Virsaladze, a pianist of formidable musicianship and technical prowess. One of her pupils was Boris Berezovsky who went on to win the Tchaikovsky Piano Competition. She has also recorded a stunning recital at La Roque d'Antheron which I have reviewed elsewhere. Her performance of the Ravel concerto is typically tightly controlled where the jazz elements of the writing are allowed to communicate without interpretive interference. This would have pleased Ravel greatly who stated a preference for performers to stick to playing the music as written and to trust to the skills of the composer to write the 'interpretation' into the fabric of the composition. The orchestra are well able to deal with the very different idiomatic demands of this music.

The final instrumental soloist is Mischa Maisky whose ringing tones on the cello, as well as his considerable sensitivity, are both shown off to good advantage in the chosen pieces by Respighi and Bruch. The vocal items showcase a young Anna Netrebko on the cusp of her flowering international career plus the hugely popular Dmitri Hvorostovsky. The Donizetti and Puccini arias demonstrate Netrebko's dark tones and sparkling range admirably and the Tchaikovsky and Verdi arias suit the melifluous tones of Dmitri Hvorostovsky equally well. The two get together for a duet from Pagliacci to finish, both being on very fine form.

The orchestra has an enviable reputation as a brilliant ensemble and this has largely been the result of the work of its chief conductor, Yuri Temirkanov who takes on the opening and last items here as well as the vocal items where he watches the singers with an eagle eye similar to that of Karajan. The other items are conducted by Nilolai Alekseev who has a gentler, more rounded, visual conducting style. Yuri Temirkanov is a vastly experienced and no-nonsense style of conductor who is able to achieve very high levels of performance from the players in front of him and where they often play at an enhanced level. This is readily apparent in the Stockholm Nobel concert, reviewed elsewhere, and which is an exceptional concert. So too is this concert from a completely different point of view - that of a gala set of short pieces as opposed to a standard concert program. Despite its gala nature the whole concert still adds up to a satisfying musical total as well as a display vehicle.

The recording is astonishingly crisp visually. The sound is presented in PCM 5.1 and stereo in wide ranging sound. This, however, needs to be played at a significantly higher playback level than usual as it appears to have been recorded at a lower level than normal. At normal playback settings the concert can seem to be rather pale and lacking in substance sonically. I was initially rather disconcerted by this but simply by increasing the volume setting by several decibels the whole thing dramatically improved and the full width and depth of the sound-stage became apparent.

In my opinion this concert should give considerable pleasure in many ways to those who buy the disc. The program is varied and interesting and is all performed well. The imaging is excellent and so is the sound provided it is played back loudly enough. For these reasons it seems that 5 stars is a fair rating level for this disc.
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